Thank you midichlorians, it’s done! When it was announced that J.J. Abrams was chosen to direct the film that would complete the sequel trilogy, I predicted that he would try to please fans and non-fans of The Last Jedi at the same time. It was a noble idea that, in retrospect, was doomed to fail. He was desperately trying to be as compassionate and safe as possible. Watch star wars online and also download it on downloadhub for free.
The safe response was to threaten
But even the safe response was risky because the foundations laid by the predecessor were not as simple as simply copying and pasting the classics. He had to tell the story as he saw fit while creating a story and characters based on a premise that probably scared him. Is it possible to bring such a fragmented trilogy together into a coherent conclusion? Yes. Is it possible to please everyone?
The flow between them is clear
No. In the end, two hours of fan service is better to watch than two hours of insults (though neither is ideal), and that’s why “Rise of Skywalker” is better, but not without an extra Retcon flavor. None of the films in this franchise respect each other, so it’s understandable that there’s friction between them. Abrams spends half of the film trying to find a way back to a vision he could work with – essentially forcing the content of both films into one.
He finds a place where he wants to work
He’s busy and messy, rushing every second and not giving himself a moment to rest. But then he finds a place where he wants to work, and in the third act, everything turns into a compelling story again. All three films are connected by a single thread, broken but intact: the arc between our heroine Rey and her villain Kylo Ren. If I had to pick one thing to help keep the films cohesive, it would be this.
It works in both systems
Abrams ended up doing exactly that, and while I didn’t write it exactly how I would have liked, it’s consistent with the content of the film and the previous two films, and from a character’s perspective, it’s a really good story. Despite the plot holes, I appreciate it. Rey (Daisy Ridley) will certainly still be referred to as a Mary Sue, but Abrams gives her exemplary, untrained abilities a reason to exist and fleshes out her arc with care and commitment.
A solid character foundation
Kylo Ren remains the best-written character of the sequel trilogy. Adam Driver has no fondness for dialogue and spends a lot of time in silence when you least expect it. Ren fares well thanks to Driver’s strong physique and expressive abilities. It’s the boldest choice and the film’s greatest triumph. My old favorite experience was the chance to see Poe (Oscar Isaac, who won the role in Star Wars) in the role he was originally intended for: the “friend of Han Solo”.
The Force Awakens did everything it could
He retains the temperament that Rian Johnson gave him, flies the Millennium Falcon, flirts and teases, and finally feels fulfilled. Yes, he and Rey are related. Eventually, he and Rey sleep together. I almost didn’t notice it, but I should have noticed it from the beginning. John Boyegan Finn is, unfortunately, more in the background, as he grew up in The Force Awakens. The character doesn’t have a clear vision, but he doesn’t get in the way and is welcome.
The connection between Ray and Kellogg allowed them to
When Abrams used to give fans lines to appease them, he used to say that Ross was the thing Johnson was most grateful for, but if you watch the movie, that’s not true. I think Abrams is grateful for the Skype call that created the Force – that is, the connection between Rey and Kyle that allows them to communicate remotely. Abrams takes it a step further in an understandable way – it’s one of the most creative ideas in the film and helps the plot. Most of Abrams’ creative decisions seem to be the result of Johnson’s formative choices.
We could spend hours on Watfland
Sometimes this leads to an awareness of the subject matter that I found strikingly intuitive and subtle, as the plot hits you over the head like a comic book hammer – sometimes this leads to blatant repetition. Sometimes both at the same time! The result is that the film is confusing, but at the same time, it’s not as unfinished as the subtle remake of Return of the Jedi that Abrams was able to make. It’s a fascinating compromise, and I’ll happily thank Johnson for it. We could talk about Whatifland for hours, but I’ll stop here.
This movie is getting close to being a huge
This trilogy could have been different, but it is what it is. Abrams. He claimed it and he owned it. He’s doing what he thinks is best and I can’t imagine how it would have turned out if he hadn’t. Given the circumstances, this 9kmovies film came closer to winning Best Picture than I would have liked. The entire trilogy is a long series of ups and downs, confusion, fan disagreements, and conflicting ideas, but almost miraculously, the ending doesn’t fall apart.
Remarkably, the result achieved is more than respectable
It gets where it wants to go. And that brings us to the real ending. Remarkably, the ending is more dignified, far from boring, and at least close to a resonant and moving story. (Yesterday, I felt cranky just thinking about it.) But at this point, it’s all just icing on the cake. In most movies, the end of the story is a given, but given the disastrous path this film is on, I can’t think of a better recommendation than to point to the end of this huge, turbulent space adventure and say, “They survived.
